I guess it shouldn’t be surprising that when Italy has a controversial political problem, it turns to its artists.
Hey Minnesota, check this out. Remember when we got all tied in knots over how to address our controversial Capitol art? Oh that we had known about Bolzano, a city of 100,000 in northernmost Italy. An opinion piece in The Guardian tells the story of how Bolzano officials dealt with a controversial World War II-era public building featuring a massive bas-relief of facist leader Benito Mussolini on horseback. “The sculpture bore the slogan ‘Credere, Obbedire, Combattere’ (‘Believe, Obey, Combat”), the story said. (Yep, that’s, creepy.)
In the polarizing frame of “preserve or destroy” the mural, city leaders chose a third way. According to the story:
A public bid was launched, soliciting ideas over how to “defuse and contextualize” the politically charged frieze. Open to artists, architects, historians, and “anyone involved in the cultural sphere”, the bid explicitly stated that the intention was to “transform the bas-relief into a place of memory … so that it will no longer be visible directly, but accessible thoughtfully, within an appropriately explanatory context”.
Almost 500 proposals were submitted and evaluated by a jury composed of local civil society figures, including a history professor, a museum curator, an architect, an artist and a journalist.